Beyond Cabernet — Why American Wine Drinkers Are Turning to Petit Verdot, Cabernet Franc, and Mourvèdre
Cabernet Sauvignon has ruled American red wine for decades. But something is shifting. A growing number of wine drinkers — and the winemakers paying attention to them — are reaching past the Cab and discovering what Petit Verdot, Cabernet Franc, and Mourvèdre can do on their own. Here is why these three grapes are having their moment.
Beyond Cabernet — Why American Wine Drinkers Are Turning to Petit Verdot, Cabernet Franc, and Mourvèdre
Cabernet Sauvignon is the most planted red wine grape in the United States. It is the grape that built Napa Valley's reputation, the grape that commands the highest prices at auction, and the grape that most American wine drinkers reach for when they want something serious. It is, by almost any measure, the king of American red wine.
And yet something is changing.
Walk into a well-stocked wine shop today and you will find something you would not have seen ten years ago: a growing section of American reds built around grapes that are not Cabernet Sauvignon. Petit Verdot bottled on its own rather than blended away. Cabernet Franc given top billing instead of playing a supporting role in a Meritage. Mourvèdre from Paso Robles or the Sierra Foothills standing alone, unapologetic and deeply flavored.
This is not a fringe movement. It is a genuine shift in how American winemakers are thinking about their vineyards — and how a new generation of wine drinkers is thinking about what they want in a glass.
The Cabernet Fatigue Factor
To understand why these grapes are gaining ground, it helps to understand what they are gaining ground against.
American Cabernet Sauvignon, particularly from Napa Valley, has spent the last two decades trending toward a specific style: ripe, extracted, high in alcohol, with oak influence that can tip from complementary to dominant. The wines are impressive. They are also, for a growing number of drinkers, exhausting.
There is a word that comes up repeatedly in conversations with sommeliers, wine buyers, and serious home collectors when they talk about this shift: drinkability. Not in the pejorative sense of simple or undemanding, but in the literal sense — wines you actually want to drink with dinner, wines that do not require a special occasion to justify opening, wines that leave you wanting another glass rather than reaching for a glass of water.
Petit Verdot, Cabernet Franc, and Mourvèdre offer that. They are not lesser grapes. They are different grapes — and in many cases, they are grapes that have been waiting for American winemakers and drinkers to catch up to what they are capable of.
Petit Verdot: The Grape That Refused to Stay in the Blend
Of the three grapes discussed here, Petit Verdot has seen the most dramatic rise in American wine over the past decade. For most of its history in the United States, it existed almost entirely as a blending component — a small percentage added to Cabernet Sauvignon or Meritage blends to contribute color, tannin structure, and a distinctive violet-and-spice aromatic note. It was the seasoning, never the main course.
That has changed substantially. Plantings of Petit Verdot as a standalone variety have increased significantly across Virginia, California, and Texas, and the number of single-varietal Petit Verdot bottlings on the American market has grown in step with that planting expansion. The reasons are not hard to understand once you taste a well-made example.
Petit Verdot is a deeply colored, intensely flavored grape. The wines it produces tend toward inky purple-black in the glass, with aromas that can include dark plum, blackberry, violets, graphite, leather, and a distinctive savory note that some describe as smoked meat or dried herbs. The tannins are firm and structured — not aggressive, in the right hands, but present in a way that gives the wine genuine aging potential. The acidity is good. The finish is long.
What makes Petit Verdot particularly interesting as a standalone variety is that it expresses terroir with unusual clarity. Virginia Petit Verdot tastes different from Texas Petit Verdot, which tastes different from Napa Petit Verdot — not just in the way that all wines from different places taste different, but in a way that feels like the grape is actively translating the landscape into the glass.
Virginia has emerged as arguably the most compelling American home for Petit Verdot. The state's warm summers, clay-rich soils, and long autumns give the grape the heat accumulation it needs to ripen fully — Petit Verdot is notoriously late-ripening, which is one reason it was historically blended rather than bottled alone — while the diurnal temperature swings preserve the acidity that keeps the wines from becoming heavy. Producers like Barboursville Vineyards, King Family Vineyards, and RdV Vineyards have produced Petit Verdots that stand among the finest expressions of the variety anywhere in the world.
Texas Hill Country has also proven hospitable. The high elevation, intense sun, and well-drained limestone soils of the Hill Country produce Petit Verdots with a different character — more concentrated, with a darker fruit profile and a mineral backbone that reflects the geology. Becker Vineyards and William Chris Vineyards have been among the leaders here.
Napa Valley produces Petit Verdot that leans into the variety's power — rich, extracted, and built for the long haul. These are wines that reward patience, and they are increasingly being sought out by collectors who want something outside the Cabernet mainstream.
Cabernet Franc: The Elegant Alternative
Cabernet Franc is Cabernet Sauvignon's parent grape — one of the two varieties, along with Sauvignon Blanc, that crossed naturally to produce the world's most famous red wine grape. That parentage is written into the wine: Cabernet Franc shares the structural DNA of Cabernet Sauvignon, with firm tannins, good acidity, and the capacity for genuine complexity. But it expresses that structure in a fundamentally different way.
Where Cabernet Sauvignon tends toward power and concentration, Cabernet Franc tends toward elegance and aromatic lift. The wines are typically lighter in color — garnet rather than deep ruby — with a perfumed nose that can include red cherry, raspberry, dried herbs, pencil shavings, and the variety's signature note of graphite or crushed gravel. The tannins are finer-grained. The alcohol tends to run lower. The wines are, in the best sense of the word, more approachable — not simpler, but less demanding.
American interest in Cabernet Franc as a standalone variety has been building for years, but it has accelerated noticeably in the past five. The reasons are partly stylistic — the move toward lower-alcohol, more food-friendly reds that has reshaped the market — and partly geographic. Several American wine regions have discovered that Cabernet Franc is not just a fallback when Cabernet Sauvignon struggles to ripen, but a variety that actively thrives in their conditions.
Long Island was one of the first American regions to take Cabernet Franc seriously as a primary variety, and it remains one of the best places to find it. The North Fork's maritime climate — cool, with long growing seasons moderated by the surrounding water — suits the grape perfectly. Bedell Cellars, Paumanok Vineyards, and Raphael have produced Cabernet Francs that draw direct comparisons to the great examples from Chinon and Bourgueil in the Loire Valley.
Virginia appears again, and not by accident. The state has become something of a proving ground for Bordeaux varieties that struggle to ripen consistently in cooler climates, and Cabernet Franc has been a particular success. The grape ripens earlier than Cabernet Sauvignon, which means it can reach full phenolic maturity in years when Cab struggles — and in good years, it produces wines of real distinction. Linden Vineyards and Boxwood Estate have been making compelling cases for Virginia Cabernet Franc for more than a decade.
Napa Valley produces Cabernet Franc in a richer, more opulent style than its East Coast counterparts — the warm climate pushes the fruit toward black cherry and cassis rather than red fruit, and the wines can carry more weight. But the best examples still retain the variety's characteristic aromatic complexity and structural elegance. Corison Winery and Spottswoode Estate have produced Cabernet Francs that demonstrate what the variety can achieve in the Napa context.
The broader trend worth noting is that Cabernet Franc is increasingly being chosen by wine drinkers who want the structure and ageability of a serious red without the sheer mass of a big Cabernet Sauvignon. It is a wine for dinner tables, not just special occasions.
Mourvèdre: The Dark Horse
Of the three grapes discussed here, Mourvèdre is the most unfamiliar to most American wine drinkers — and arguably the most exciting. It is a grape with a long history in the southern Rhône Valley and in Spain, where it is known as Monastrell, but its American story is still being written.
Mourvèdre is a late-ripening, heat-loving variety that produces wines of extraordinary depth and complexity when it finds the right conditions. The wines tend toward deep garnet-purple in color, with a nose that can be simultaneously wild and precise — dark fruit (blackberry, black plum, black olive), savory notes (meat, leather, dried herbs, earth), and a distinctive gamey or animal quality that is either thrilling or off-putting depending on your palate. The tannins are substantial. The finish is long and often slightly bitter in the best way — the kind of finish that makes you reach for another bite of food.
The key to Mourvèdre is warmth. The grape needs heat to ripen fully, and when it does not get it, the wines can be green, tannic, and charmless. When it does — when the conditions are right — the results can be extraordinary.
Paso Robles is the American heartland of Mourvèdre. The region's warm days, cool nights, and calcareous soils create conditions that suit the grape almost perfectly, and a number of Paso producers have been working with it seriously for twenty years or more. Tablas Creek Vineyard, which brought Mourvèdre cuttings directly from Château de Beaucastel in Châteauneuf-du-Pape, has been the most influential — their single-varietal Mourvèdre is a benchmark for the variety in America. Saxum Vineyards and Booker Vineyard have also produced compelling examples.
The Sierra Foothills of California — Amador County and El Dorado County in particular — have proven hospitable to Mourvèdre, with old-vine plantings producing wines of real concentration and character. The elevation moderates the heat, and the volcanic and granite soils add a mineral dimension that distinguishes these wines from their Paso counterparts.
Washington State is a newer frontier for Mourvèdre, with producers in the Walla Walla Valley and the Columbia Valley experimenting with the variety in the state's warm, dry growing conditions. The results are promising — Washington Mourvèdre tends toward a cleaner, more fruit-forward style than California examples, with less of the gamey complexity but more immediate appeal.
The rise of Mourvèdre in America is connected to a broader interest in Rhône varieties that has been building since the Rhône Rangers movement of the 1980s and 1990s. But where that movement was largely about Syrah and Grenache, the current wave of interest is pushing deeper into the Rhône palette — and Mourvèdre, with its intensity and its food-friendliness, is one of the primary beneficiaries.
What This Shift Means for American Wine
The growing interest in Petit Verdot, Cabernet Franc, and Mourvèdre is not just a trend. It reflects something more fundamental about where American wine is going.
For most of the past forty years, the American wine market has been organized around a small number of dominant varieties — Cabernet Sauvignon, Chardonnay, Merlot, Pinot Noir — that captured the imagination of consumers and commanded the attention of winemakers. Those varieties are not going anywhere. But the market is maturing, and maturing markets develop more sophisticated tastes.
The wine drinkers who are reaching for Petit Verdot and Mourvèdre today are not doing so because they have given up on Cabernet Sauvignon. They are doing so because they have developed enough experience with wine to be curious about what else is out there — and because American winemakers have been doing the work, quietly and persistently, to give them something worth being curious about.
The best American Petit Verdot, Cabernet Franc, and Mourvèdre are not imitations of their European counterparts. They are wines that have found their own voice in American soil, American climate, and American winemaking culture. That is exactly what the best American wine has always done — and it is what makes this moment in American wine so worth paying attention to.
Where to Start
If you are new to these varieties, here is a practical entry point for each:
Petit Verdot: Start with a Virginia example — the state's warm climate produces Petit Verdots that are ripe and approachable without sacrificing the variety's characteristic structure. Look for bottles from Barboursville, King Family, or Veritas Vineyard. Expect dark fruit, violets, and firm but polished tannins.
Cabernet Franc: Long Island is the most accessible American entry point — the wines are elegant, food-friendly, and priced reasonably relative to their quality. Bedell Cellars and Paumanok are reliable starting points. If you want something richer, try a Virginia or Napa example.
Mourvèdre: Tablas Creek in Paso Robles is the obvious starting point — their single-varietal Mourvèdre is widely available and consistently excellent. If you want to explore further, look for blends where Mourvèdre plays a leading role rather than a supporting one. The variety rewards patience: open the bottle an hour before you plan to drink it, and pair it with something substantial — lamb, braised beef, aged cheese.
The world beyond Cabernet Sauvignon is large, varied, and increasingly well-mapped. These three grapes are as good a place as any to start exploring it.
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Written by
Chuck Hoeffler
Chuck Hoeffler is the founder and editor of The American Vine. He loves tasting and writing about American wine, with a particular focus on regions and wineries that deserve more attention than they typically receive.